Category Archives: Arts & Culture

Best of the Blog, 2025

My thirteenth year of producing this blog was productive and rewarding. Highlights included the publication of several freelance pieces in scholarly journals or the popular press. The University of Galway accepted my family’s letters between the U.S. and Ireland from the 1920s through the 1980s for their digital immigrant archives. I was interviewed for a St. Patrick’s Day television program and gave a presentation about Michael J. O’Brien, my 2024 entry in the Dictionary of Irish Biography. I made my thirteenth visit to Ireland in 25 years.

This website was on pace for record all-time traffic, then rocketed over the top by a mid-November surge of AI content-scraping bots. Or maybe thousands of readers in China have suddenly become interested in Irish news and history. I object to the unauthorized grab of my intellectual property, but I’m happy if it eventually contributes to global knowledge, especially my work about American journalists in Ireland.

More details and links to some of this year’s best content follow below each of the photos:

The gate between the Museum of Literature Ireland courtyard and the Iveagh Gardens. “MoLI replaced the former Dublin Writer’s Museum.

Freelance pieces

The former London and North Western Hotel seen in April 2025. A group of American journalists watched from the top floor as Irish rebels and British forces fired on each other during the 1916 Rising. The dark glass building at right is part of the Salesforce Tower, which renovated the former hotel as office and meeting space. The red brick structure at left is the former railway and steam packet terminal operated by the L&NW hotel company. It was vacant during my visit. The building faces the River Liffey.

Two blog series:

Revisiting William Brayden’s 1925 ‘survey’ of Ireland

The Irish-born journalist wrote a summer 1925 series for the Chicago Daily News about the state of Ireland on both sides of the partition. His series, later compiled as a book, and follow up reporting about the end of the Irish Boundary Commission served as the conclusion to American newspaper coverage of Ireland’s decade-long revolutionary period.

Leon and Jill Uris in Ireland

The American husband and wife team, author and photographer, respectively, made several visits during the 1970s. They produced photobooks and a bestselling novel that perpetuated notions of “romantic Ireland” before the Republic’s economic modernization and the Good Friday Agreement at the end of the 20th century.

Family letters

Nearly 60 of my family’s letters to and from Ireland were accessioned and digitized in the Imirce (Irish for migration, emigration) project at the University of Galway. The searchable Joan Diggin Collection is named after my aunt, who either authored or was the recipient of most of the letters. The collection also includes a digitized copy of my 2013 book, His Last Trip, about Joan’s father, my grandfather. The letter manuscripts and a print copy of the book may be consulted in the Archives and Special Collections Reading Room.

This February 25, 1953, note from Ireland before St. Patrick’s Day is part of the Imirce collection. I kept the shamrocks, which also were included in several other letters.

Television interview

Watch my St. Patrick’s Day interview with FOX 8’s “News Now” in Johnstown, Pa. The conversation covers my Irish ancestry and historical research. Each segment is 5 minutes:

My remote St. Patrick’s Day television appearance for FOX 8 in Johnstown, Pa., included the obligatory bookcase in the background. But they are real books that I’ve actually read and use.

Thanks archivists, librarians, and others

This year’s research included multiple visits to the Library of Congress, National Archives and Records Administration, and Catholic University of America here in Washington, D.C. I also spent time at the National Library of Ireland, Dublin, New York Public Library, and the Catholic Diocese of Pittsburgh Archives and Records Center. I received remote help from the Newberry Library in Chicago, the Catholic Diocese of Gaylord, Mich., and the Paulist Archives in New York City. As always, I am grateful to the professionals at these institutions who assisted my work. … I was delighted to contribute some research and materials to “The Irish Revolution in the African American Press” exhibition at University College Cork. It focused on how the US black press covered De Valera’s tour of America (1919–20), MacSwiney’s hunger strike death (1920), and the Anglo-Irish Treaty (1921-22). Dr. Jemima Hodgkinson, a Research Ireland postdoctoral fellow, curated the exhibit. … I enjoyed watching excellent presentations by Irish historians (and friends) Daniel Carey and John Dorney at the “Navigating War and Violence in Twentieth-Century Ireland” conference at Dublin City University in April. … On the same trip I was welcomed to Dungloe, County Donegal, by Patrick J. Dunleavy, chairman of the The Cope’s board of directors, who gave me a detailed driving tour of the Rosses region, and by Mark Sharkey and Emma McGarvey, Cope CEO and business support manager, respectively.

I hope to return to Ireland in 2026, and to visit two new domestic archives I’ve eyed for some time. Meanwhile, happy holidays to the site’s human readers, especially my loyal email subscribers. Sláinte!

Low tide twilight at Dungloe, County Donegal. The pier at left replaced the one constructed during the revolutionary period and detailed in 1922 by American journalist Redfern Mason.

More on Jill and Leon Uris in Ireland

I’m keeping my promise to follow up an earlier post, When Jill and Leon Uris went to Ireland. The couple first visited both sides of the partitioned island from May 1972 to January 1973, then published Ireland: A Terrible Beauty in November 1975. The book featured nearly 400 photographs by Jill and text by Leon, an established author.

Leon released his Irish novel, Trinity, in 1976. It became a best-seller. The couple returned to Ireland at least five more times over the next few years. Jill photographed places that represented the fictional locations in Trinity. She did a piece for the Ladies’ Home Journal magazine headlined “Connor and Shelly,” which illustrated the novel’s main characters. Jill and Leon traveled the River Shannon on a houseboat, “a lovely second honeymoon,” she recalled in a second book of photos, Ireland Revisited, published in 1982.[1]Jill Uris, Ireland Revisited. [Garden City, New York: Doubleday & Company, Inc., 1982], 1-2.

Of her half dozen trips to Ireland, Jill enthused:

I always arrive with anticipation, wanting to be haunted by her mysteries and teased by her fantasies. I travel through her tortured landscape wondering what it is about this place that entices me so. Is it ancient ruins, wild seascapes, the hundred shades of green? Or is it the verbal jousting and continual singsong of stories in a language that is something beyond English …yet not quite foreign? It is all of these and more; it is a people whose goal is only to be themselves, whose spirit retains a dignity which is rare in today’s world. It is the Irish refusal to be servants to anyone but their own minds.[2]Ibid.

The Irish Independent published this advert on Dec. 8, 1982. The image appeared on the book jacket and on an inside page. Titled “Man of Aran,” the figure was Dara Beag Ó Fátharta, the “Bard of Inishmaan,” who died in 2012 at the age of 92.

Revisited received mostly tepid reviews. John M. McGown of Gannett News Service noted the Uris’s first photo book had become “a staple on the shelves of Irish Americans” and the second was “likely to become a companion piece.”[3]”Two authors write varying views of Irish”, St. Cloud (Minn.) Times, Dec. 2, 1982, and other papers. But Doug Wells of the Des Moines (Iowa) Register compared paging through Revisited to sitting through a neighbor’s vacation slides as he rhapsodized about how much he “just loved Ireland.”  Wells continued:

To be sure Jill Uris is a much better photographer than the man next door. Most of her photographs are well done. … She has concentrated on the rural, older Ireland, the romantic image most Americans have of the country. … But just as your neighbor babbles on and on about how beautiful it all was, so Uris carries on about Ireland. Her dullish prose, combined with snips and scraps from Irish writers and poets, upset what flow and balance the pictures provide.[4]”Too much, too little”, Des Moines (Iowa) Register, Oct. 17, 1982.

In Ireland, Frank Miller of the Sunday Press described Revisited as “a headless horse of a book, a book of photographs based on an unreality, lost and wandering somewhere between the myths and mists of romantic Ireland.” He also complained that Dara Beag Ó Fátharta (image above) appeared “no less than four times through the book.”[5]”Lost between myths and mists of romantic Ireland”, Sunday Press, (Dublin), Dec. 5, 1982.

Historical context

Ireland Revisited appeared a decade after Bloody Sunday in Derry, Northern Ireland. As copies reached American bookshops in autumn 1982, the Troubles’ death toll climbed to 1,794 by year’s end. This turned out to be roughly half the total of number of people killed in the conflict.[6]”Year of the death” in Malcolm Sutton’s Index of Deaths from the Conflict in Ireland, found at cain.ulster.ac.uk. Sutton’s index ranges from 1969 to 2001, three years after … Continue reading

Jill Uris wrote that after each of her trips to Ireland “the headlines from the North became more piercing. The people in the Republic wish the ‘troubles’ would just drift away. After all, they are finally building their own country and who needs the continuing hostility and fanaticism of Ulster?”

In fact, the Republic in the mid-1980s was “crippled by political violence, mass emigration, mass unemployment, political paralysis and a sense of hopelessness,” Michael McDowell, an independent member of Seanad Éireann, wrote at the start of 2025. It would take another decade or so before the Republic began the economic modernization known as the “Celtic Tiger” and citizens confronted abuses by the Catholic Church that resulted in today’s militant secularism. More then 40 years after Ireland Revisited, Ireland faces “very real” new challenges, McDowell concluded, “but very different from the dark past we left behind.”

So, too, “Romantic Ireland’s dead and gone. It’s with O’Leary in the grave.”[7]”September 1913” by William Butler Yeats.

References

References
↑1 Jill Uris, Ireland Revisited. [Garden City, New York: Doubleday & Company, Inc., 1982], 1-2.
↑2 Ibid.
↑3 ”Two authors write varying views of Irish”, St. Cloud (Minn.) Times, Dec. 2, 1982, and other papers.
↑4 ”Too much, too little”, Des Moines (Iowa) Register, Oct. 17, 1982.
↑5 ”Lost between myths and mists of romantic Ireland”, Sunday Press, (Dublin), Dec. 5, 1982.
↑6 ”Year of the death” in Malcolm Sutton’s Index of Deaths from the Conflict in Ireland, found at cain.ulster.ac.uk. Sutton’s index ranges from 1969 to 2001, three years after the Good Friday Agreement.
↑7 ”September 1913” by William Butler Yeats.

When Jill and Leon Uris went to Ireland

Fifty years ago this month the American book publisher Doubleday released Ireland: A Terrible Beauty, by Jill and Leon Uris. The couple had traveled on both sides of the partitioned island from May 1972 (four months after Bloody Sunday) to January 1973.

Original dusk jacket.

Leon, an established author, conducted research for a new novel, Trinity, which became a best seller when it was released in 1976. Jill, his third wife, 23 years younger, photographed nearly 400 images of thatched cottages, mist-shrouded countryside, and gritty scenes of urban violence; in color, and in black and white.

Their Preface says:

“We were lured there by an intriguing people, their sometimes magnificent, sometimes harsh land, and, mostly, their poignant history. Our aim was to find the keys to that story which would clarify so much of the mystery and puzzlement of recent events and simultaneously photograph everyone and everything wherever the search took us. …

“Ireland is too vast and complex in its story for two people to cover it comprehensively in less than a decade. We made no pretense at attempting to.

“What we do have here is a social, historical, and political commentary on what we consider to be the guts of the matter of a unique people and their lovely but sorrowed island. This is our point of view on the “troubles” that have plagued Ireland for the fatter part of a millennium.”[1]Leon Uris and Jill Uris, Ireland: A Terrible Beauty. The Story  of Ireland Today (With 388 Photographs, Including 108 in Full Color). [Garden City, New York: Doubleday & Company, Inc., 1975]. … Continue reading

The couple covered 10,000 miles, mostly by auto, “on some decent and some indecent roads.” Their journey and their book recalled American photographer and antiquarian Wallace Nutting, who estimated he and his wife covered 700 miles in all 32 counties 50 years earlier, during the summer of 1925. Nutting’s book, Ireland Beautiful, was published in time for that year’s Christmas gift-giving. It featured 304 half-tone engravings of Irish landscapes—only six images show people—and his text in support of the title.

From his studio near Boston, Nutting wrote:

“This volume pretends to no place as a guide book, nor is its text intended to cover with precision or fullness any part of Ireland. It is merely a record of impression of beauty or quaintness, observed in a land which for romance and pathos, strange history and legend, for witching grace and mystery, is probably unsurpassed.”[2]Wallace Nutting, Ireland Beautiful. [Norwood, Mass.: The Plimpton Press, 1925]. 302 pp. Quoted from Foreword.

Though he began his career as a Congregationalist minister, Nutting insisted his book had “nothing whatever to do with political and religious matters.” He noted the work of the Boundary Commission, which later in 1925 fixed the partition line in place, and made sweeping, uncontroversial generalizations: “The people of Ulster were as insistent on remaining in the empire as South Ireland was on withdrawing from the empire.”[3]Ibid., 286.

For more on Nutting, see my August 2025 piece for History Ireland, “Ireland Beautiful–How A 1925 American Photobook Boosted Irish Tourism.”

More opinionated

Leon Uris was more opinionated in his analysis of an Ireland then descending deeper into sectarian strife, rather than the island emerging from the war of independence and civil war at Nutting’s visit. During the Uris’s nine-month stay, more than 400 people were killed and thousands of others were injured in shootings and bombings. More than 500 people were charged with terrorist offences. “Their visit coincided with one of the most violent years of the Troubles,” wrote biographer Ira B. Nadel.[4]Ira B. Nadel, Leon Uris: Life of a Best Seller. [Austin: University of Texas Press, 2010], See Chapter 9, “Ireland,” 209-232.

Uris leveraged his identity as an American Jew, not an Irish-American of Catholic or Protestant faith, as well as his status as a celebrity author. He took particular aim at “the most diabolic by-product of three hundred and fifty years of the plantation of Ulster, a cancerous growth known as Paisleyism.” Grimly, he concluded: “The nightmare of Ulster has come about with Christian fighting Christian in one of the most advanced of Western societies. Continuation of this travesty with God can lead to the eclipse of civilization in that part of the world.”[5]Uris, Terrible Beauty, 128, 195.

The Troubles got much worse, of course, but not quite that bad.

By coincidence, Terrible Beauty’s November 1975 release was three months after the death of Éamon de Valera, the most consequential leader of twentieth century Ireland. The book says he “had the full measure of that detached, ruthless arrogance, political guile, persuasiveness, and total self-assurance that stamp greatness on a national leader. He was the rarest breed, the head of a small country that has achieved stature among the political giants of this century.”[6]Ibid., 162.

Photographing Ireland

Dev’s death ends the book’s 8-page chronology, which begins at 10,000 BC when the island emerged from the receding Ice Age. Naturally, the book included a map and, like the island itself, was divided into two sections: The Republic and Ulster.

“Photographing in the Republic was almost always a joy. Ulster was another story,” Jill Uris wrote. She described the difficulties of working as a woman and an outsider in the sectarian maelstrom of the North. Her “Photographing Ireland” in the Appendix also contains notes about the pre-digital camera equipment she used during the assignment.[7]Ibid., 209-212

Aside from the images of sectarian violence in the North, most of Jill’s photographs show a mid-twentieth century Ireland without much hint of the rapid modernization that emerged in the coming decades, and certainly since 2000. In this regard her images of the country are similar to those of American photographer Dorothea Lange, who arrived in County Clare in September 1954 on an assignment for Life magazine. See my September 2024 post, “Remembering Dorothea Lange’s ‘Irish Country People’“.

I’ll return to my exploration of the Uris’s visit and their work in future posts.

References

References
↑1 Leon Uris and Jill Uris, Ireland: A Terrible Beauty. The Story  of Ireland Today (With 388 Photographs, Including 108 in Full Color). [Garden City, New York: Doubleday & Company, Inc., 1975]. 288 pp.
↑2 Wallace Nutting, Ireland Beautiful. [Norwood, Mass.: The Plimpton Press, 1925]. 302 pp. Quoted from Foreword.
↑3 Ibid., 286.
↑4 Ira B. Nadel, Leon Uris: Life of a Best Seller. [Austin: University of Texas Press, 2010], See Chapter 9, “Ireland,” 209-232.
↑5 Uris, Terrible Beauty, 128, 195.
↑6 Ibid., 162.
↑7 Ibid., 209-212

Irish Embassy USA changes location; loses charm, history

The Embassy of Ireland USA in Washington, D.C. has relocated from an historic early 20th century mansion to a recently renovated 1966 office building steps from the White House. The old location was the home of the Irish republic in the American capital for 75 years.

New home of the Embassy of Ireland USA.

“We begin to write the next chapter in the great story of Ireland-U.S. relations,” Tánaiste and Minister for Foreign Affairs Simon Harris said during the Sept. 25 ribbon cutting at the new  embassy offices at 1700 Pennsylvania Avenue NW.

Known as The Mills Building, the 11-story building was renovated in 2022. It is across the street from Lafayette Park and the two-block portion of Pennsylvania Avenue closed to vehicle traffic, between 17th and 15th streets.

Access to the White House is highly restricted to guided tour groups, though Irish dignitaries are welcomed to 1600 Pennsylvania Avenue every March. The grounds were officially closed by President Woodrow Wilson during the First World War. Fencing and other security measures began to appear during the 19th century.

The Munsey Building, shown in 1919, was demolished in 1980.

As many readers will know, the White House was designed by the Irish-born architect James Hoban. Fewer readers will know the first official offices of the Irish Free State in Washington were located in the Munsey Building, 1321 E. St. NW, between 13th and 14th streets, not too far from the new embassy. Timothy A. Smiddy represented the state until 1929. The Irish National Bureau produced the Friends of Irish Freedom’s weekly News Letter in the Munsey Building from 1919 to 1922. Éamon De Valera also kept an office there during his 1919-1920 tour of the United States.[1]See my November 2020 post, “Washington, D.C.’s Irish hot spots, 1919-1921“.

“This will be an excellent base from which to grow our vital political, economic and cultural ties with the US over the years ahead,” Harris said of the new Irish Embassy, according to an official statement. He emphasized that Ireland is the fifth largest source of foreign direct investment in the US, and that Irish companies have created more than 200,000 American jobs.

Leaving Embassy Row

The Irish Embassy was previously located at 2234 Massachusetts Avenue NW, on Sheridan Circle, part of the city’s historic “Embassy Row.” The semidetached limestone residence was designed by William Penn Cresson in the Louis XVI manner. Completed in 1909, it is known as the Henrietta M. Halliday House, after the widow of a wealthy businessman. It is unclear if she ever lived in the house, which was sold in 1911.[2]”Henrietta M. Halliday House (Irish Chancery)”, HABS No. DC-261, Historic American Buildings Survey, Office of Archeology and Historic Preservation, National Park Service, U.S. Department … Continue reading

The former Irish Embassy in October 1924, with Irish and EU flags at right, Ukrainian flag draped from balcony.

The Irish government purchased the property for $72,000 in August 1949. At the time, Ireland’s presence in Washington was still described as legation. Three months later Irish Minister to Washington Seán Nunan welcomed Irish Minister of Agriculture James Dillon, who was visiting the city for an international conference.[3]”Society News”, (Washington) Evening Star, Nov. 30, 1949. In March 1950, John Joseph Hearne became the first Irish ambassador to Washington.

The property is assessed at $6,548,040, according to DC tax records. It is being sold by the commercial real estate firm CBRE, which says it has not set an asking price. The adjoining 2232 Massachusetts Ave. is being co-marketed by residential real estate firm Compass for $2,995,000. See their Oct. 6 press release. (This paragraph was updated from the original post.)

In December 2023, the Irish government purchased the nine-bedroom mansion at 2221 30th Street NW as its official ambassadorial residence. The $12.25 million sale price shaved more than $4 million off the $16.5 million list price. The state began renting the 15,000 square-foot mansion as it sold its former ambassadorial residence at 2244 S Street NW, known as the Frederic Delano House, after an uncle of U.S. President Franklin Delano Roosevelt. That property sold for $8 million in March 2024.

Exempt & delinquent taxes

The new Irish ambassador’s residence had an outstanding District of Columbia tax bill of $33,502 as of Sept. 30. A notice of $153,910 in delinquent taxes and penalties was sent by the District to the Irish government in April. More than $30,000 in late fees and interest had been assessed since the property was purchase in December 2023. The most recent statement, dated Aug. 4, shows that no new assessments or penalties have been levied against the property, which suggests an exemption is now in place. The Irish Embassy could not be reached through its general telephone number.

Irish ambassador’s residence.

The former embassy property was exempt from taxes. More than 600 properties in the District owned by foreign governments accounted for $50.2 million in foregone tax revenue in 2019.[4]Lincoln Institute of Land Policy, May 2019, citing District of Columbia Office of the Chief Financial Officer 2018. The U.S. government owns some 2,800 properties exempt from District taxes, with an estimated market value of $52 billion, or $917.7 million in foregone property tax revenue annually. And then there are religious institutions, schools, and assorted non-profits, in addition to the District government’s own property, also exempt from taxes.

The Irish government’s tax-exempt status on other properties does not mean it automatically received a discount on a commercial lease, which I assume is the arrangement at The Mills Building. The U.S. State Department’s Office of Foreign Missions regulates such matters, which are more complicated than can be addressed here. Reciprocal treatment in the foreign country–in this case, the U.S. government in Ireland–is certainly a factor.

Personal note

On a personal note, I enjoyed visiting the former Irish Embassy on several occasions since I moved to Washington nearly 12 years ago. These opportunities came through my membership in Irish Network-DC, a professional and social group. The place certainly had the elegant feel of an earlier age, when the Society pages of DC dailies regularly reported the comings-and-goings of diplomats and other special guests. I visited the new ambassador’s residence once for an IN-DC event.

I live barely a five-minute walk from the now former embassy location. I enjoyed walking Irish visitors past the exterior, then continuing a few blocks further up Embassy Row to the small park centered by a statue of Robert Emmet.

At least Irish patriot remains in place.

References

References
↑1 See my November 2020 post, “Washington, D.C.’s Irish hot spots, 1919-1921“.
↑2 ”Henrietta M. Halliday House (Irish Chancery)”, HABS No. DC-261, Historic American Buildings Survey, Office of Archeology and Historic Preservation, National Park Service, U.S. Department of the Interior, 1978.
↑3 ”Society News”, (Washington) Evening Star, Nov. 30, 1949.
↑4 Lincoln Institute of Land Policy, May 2019, citing District of Columbia Office of the Chief Financial Officer 2018.

New murals at St. Pat’s, NYC, depict USA immigrants, Knock

New murals depicting the 19th century arrival of Irish and other immigrants to America will be dedicated Sunday, Sept. 21, at St. Patrick’s Cathedral in New York City. The 12-panel installation by the Brooklyn-based artist Adam Cvijanovi also includes a representation of the 1879 Marian apparition at Knock, County Mayo.

“It’s a celebration of a city that has been built by immigrants and where immigrants have been welcomed,” Cardinal Timothy M. Dolan, retiring archbishop of New York, told the New York Times. He led a 2015 pilgrimage to Knock, and in 2017 presided over the reburial of one of the 15 witnesses, an Irish immigrant laborer in New York.

I’ve requested authorized images of the murals from the Cathedral and will update the post if they are provided. Meanwhile, to honor the new artwork and mark “Half-Way to St. Patrick’s Day,” I reprise these earlier posts:

What you need to know about Knock’s vision visitors, 2017

My pilgrimages to St. Patrick’s churches, 2022

The new murals are the first major art commission in the cathedral since bronze doors were installed at the Fifth Avenue entrance in 1949. Shamrock detail from the doors.

The twin spires at night, October 2018.

The ‘Irish Literary Supplement’ says slán

This summer, Robert G. Lowery published the final issue of the Irish Literary Supplement, a biannual journal that provided readers approximately 2,000 reviews since 1982.

“I’m grateful to all those reviewers and editors who were with me from the start, and those who joined the journey at stops along the way,” the editor and publisher wrote on the American Conference of Irish Studies (ACIS) Facebook page.

Lowery’s message generated more than three dozen supportive comments and nearly 100 positive emoji reactions as of the date this story was published.

“You have rendered the world of Irish Studies, indeed anyone interested in this country, its diaspora and its rich cultural history, a dedicated and generous service,” wrote Piaras Mac Éinrí, lecturer in Migration Studies and Geography at University College Cork.

Lowery, 84, has been a member of ACIS since 1975. He is the author of six books on Irish dramatist Sean O’Casey (1880-1964). In the 1970s, Lowery was founder and editor of the journal The Sean O’Casey Review. Simultaneously, he was editor of the ACIS Newsletter for 10 years and the Irish Arts Center (New York City) magazine Ais-Eiri for five years. He organized numerous conferences and centenary celebrations about Casey, and in 1986 delivered his extensive archive of O’Casey memorabilia to the Boston College Library.

The final issue of the ILS.

For most of its run the ILS was a cooperative venture between Lowery, ACIS, which provided mailing labels of its membership, and the Irish Studies program at Boston College, which provided sponsorship. Circulation fluctuated depending on ACIS membership, while at peak about 400 libraries subscribed to the journal.

“Before ILS, which most people can’t remember, there were very few outlets for book reviews on Irish subjects,” Lowery wrote in reply to my outreach. “The Times Literary Supplement would have one issue per year where Irish books filled the pages. And of course, the Irish newspapers carried book reviews, but this was before the internet and the only way to get Irish papers was at a few newsstands in New York City, Boston, and maybe Washington, D.C.

Before the internet … Today book publishers routinely bypass independent reviewers to promote their titles through web pages, email lists, and social media feeds. It seems to me that ILS readers and the Irish Studies scholars who wrote the reviews are shortchanged by these newer marketing strategies.

“Bob listened to many of us try out our work, which meant that he also had a sense of who might be able to review works that crossed his desk,” Timothy G. McMahon, Ph.D., associate professor of Modern Irish and British Empire History at Marquette University, Milwaukee, and a past ACIS president, wrote in an email. “A lot of us, therefore, got experience reviewing in the pages of the ILS, including learning how to deal with a tough-minded editor who cast a critical eye over the text.”

The final issue of ILS featured 21 reviews of books from 13 U.S., U.K., and Irish publishers, with a display advertisement from Wake Forest University Press, a supporter of the journal for decades. “I think it’s a strong ending,” Lowery wrote.

So what’s next?

Is there a future for the ILS?

Lowery, who owns the title through a Long Island, N.Y., entity called Irish Studies, said he hopes “an enterprising scholar” will pick up where has left off.

“The key to keeping such a publication going is to get the endorsement of ACIS,” he continued. “If you’re going digital, you can simply post the paper on the ACIS Facebook site; but I don’t know how you will fund it. It is too expensive to print, and print is somewhat passe anyway. When I started in 1982, first class postage for a 20-page paper to Ireland and England was 60 cents. Today, it’s $6.00. There is no 2nd or 3rd class postage.”

The endeavor also requires “a good strong Irish editor,” Lowery added. “I was lucky to have them.”

I reached out to ACIS and Boston College. I welcome members of the Irish Studies community to provide their thoughts about continuing the ILS in some format.

A trio of Irish miscellany from May

Here are three unrelated items about Ireland during the merry, merry month:

  • UCC exhibit

I was delighted to contribute some research and materials to “The Irish Revolution in the African American Press” exhibition at University College Cork. It is focused on how the US black press covered three key events:

  • De Valera’s tour of America (1919–20)
  • MacSwiney’s hunger strike death (1920)
  • The Anglo-Irish Treaty (1921-22)

Dr. Jemima Hodgkinson, a Research Ireland postdoctoral fellow specializing in the history of anti-slavery and anti-colonial movements, curated the exhibit. It is open until July 14 at the Boole Library, ground floor.

  • Irish couture 

The dress at the left forefront was created by Dublin designer Jennifer Rothwell for Irish Ambassador to the United States Geraldine Byrne Nason. It was featured in the “Fashioning Power, Fashioning Peace” Exhibition and Gala at the President Woodrow Wilson House in Washington, D.C. Former US House Speaker Nancy Pelosi was the honoree of the annual fundraiser. The silk dress is a tribute to St. Brigid, whose reflected image can be seen extending from each shoulder. To the right are pieces from Singapore and Chez Republic. This display was in the library of the house where Wilson–seen in the portrait–lived from the end of his presidency in March 1921 until his death in February 1924. I work at the museum as a part-time guide. 

  • Times letter

Irish Times columnist Fintan O’Toole wrote about the numerical decline and lay distrust of the priesthood. He suggested Ireland has become “mentally ditched from Catholic history as a lost cause that is best forgotten.” My letter to the Times editor disagreed.

Irish performance poet Paul Durcan is dead at 80

Irish poet Paul Durcan has died in Dublin. He was 80. His “contribution to the performed poem was of enormous importance to the appreciation of poetry in Ireland,” Irish President Michael D. Higgins said.

In his introduction to the poet’s 80th birthday collection, 80 at 80, Irish writer Colm Tóibín said Durcan’s “voice as he read from his work and spoke about poetry could be both deadpan and dead serious; it could also be wildly comic and brilliantly indignant.” Tobin continued:

I loved the undercurrent of anarchy playing against moral seriousness and I began to go to his readings. These were extraordinary performances where many parts were acted out, and where the comedy was undermined by anger sometimes, or pure melancholy, or raw quirkiness, or a sympathy for pain or loss or loneliness.

Paul Durcan

My wife and I attended a Durcan reading at the 2012 Listowel Writers’ Week, the year he published Praise in Which I Live and Move and Have my Being. The reading occurred in a ballroom at the historic Listowel Arms Hotel on the town’s main square. Durcan sat with his back to a large bank of windows, beyond which the lovely River Feale shimmered in the long, lingering dusk of the approaching summer solstice.

Durcan read from his new collection, including “On the First Day of June,” which happened to be the date of the performance. He exclaimed:

I was walking behind Junior Daly’s coffin
Up a narrow winding terraced street
In Cork city in the rain on the first day of June …

The poem describes how Daly and his friend John Moriarty had died 12 minutes apart, each from “the same Rottweiler of cancer,” and now their spirts stood together watching the mourners inside Cork city’s North Cathedral. “Christ Jesus, Junior, wouldn’t you want to lift up their poor heads in your hands like new baby potatoes and demonstrate them to the world,” Moriarty says. The poem concludes:

… Outside in the streets and the meadows
In Cork and Kerry
On the first day of June on the island of Ireland
Through the black rain the sun shown.

This poem about the swiftness of life and the suddenness of death still brings a shudder of emotion to me, a watering of the eye. It is not Durcan’s best poem; he did not selected it for 80 at 80. But the delightful serendipity of hearing Durcan read the poem on the date of its title, in such a lovely setting, made this one of my favorite moments in Ireland. It remains so seven visits and 13 years later.

After Durcan’s performance I stood in line for nearly 30 minutes to have the poet sign–and date–a copy of his new volume, which I purchased for my wife. I was anxious to join her and some dear cousins in the hotel bar. But I am grateful that my patience prevailed.  

Remembering CUA library donor John K. Mullen of Galway

John Kernan Mullen of Ballinasloe, County Galway, helped to fund the Catholic University of America (CUA) library that bears his name. The cornerstone was laid April 25, 1925, on the Washington, D.C., campus.

Mullen emigrated to America in 1847, when he was nine. “He began working in a flour mill in Oriskany Falls, N.Y.,” according to a CUA profile. “At 20, Mullen went West, leasing a flour mill in Denver, Colo., and soon after buying several more mills. By 1911 he had built the first grain elevator in the state, established the Colorado Milling and Elevator Company, and operated 91 elevators, warehouses and mills in Colorado, Kansas, Utah and Oregon.”

He became a millionaire.

In 1924, Mullen pledged $500,000 to CUA to build a library, which opened as the John K. Mullen of Denver Memorial Library in September 1928. Since then the library has been open to the public. My work has benefited from access to the Mullen Library and CUA’s Special Collections, which are held in a different building. See the library’s online centenary exhibition.

There is no doubt of Mullen’s business success and generous philanthropy, especially to the Catholic church. He might have been motivated by having escaped the Great Famine.

His political views about Ireland’s struggle for independence are more of a mystery. He surely knew that Rev. Thomas J. Shahan, CUA’s rector from 1909 to 1928, had been an ardent Irish nationalist and national vice president of the Friends of Irish Freedom during the country’s revolutionary years. Exiled Fenian John Devoy attended the 1925 cornerstone ceremony. Coverage of the event in his Gaelic American newspaper mentioned only Mullen’s financial gift.[1]”Cardinal Lays Cornerstone Of Library, Gaelic American, May 2, 1925.

Mullen died in August 1929 in Denver. US Catholic newspapers and secular press obituaries also were silent as to Mullen’s views about his homeland. The digital Irish Newspaper Archive contains no coverage of his death or funding the library.

Bust of John K. Mullen on the main stairway landing between the library’s lobby and second floor.

This plaque is located inside the library’s front door.

References

References
↑1 ”Cardinal Lays Cornerstone Of Library, Gaelic American, May 2, 1925.

New(ish) Dublin museum focuses on Irish literature

DUBLIN–The Dublin Writers Museum opened in 1991 inside an 18th-century Georgian townhouse at 18 Parnell Square. It was dedicated to the county’s literary giants, including Samuel Beckett,  Brendan Behan, Brian Friel, Seamus Heaney, James Joyce, Patrick Kavanagh, George Bernard Shaw, Bram Stoker,  Jonathan Swift, Oscar Wilde, William Butler Yeats, and others. Sure, Trinity College on the south side of the Liffey held the globally famous Book of Kells, but DWM displayed Joyce’s typewriter, Beckett’s telephone, and Behan’s press credentials.

The COVID 19 pandemic closed the museum in March 2020. Even before then, complaints had begun to mount that it did not feature enough women authors or living writers. An assessment commissioned by Fáilte Ireland, the national tourism development agency, concluded later in 2020 that DWM “no longer meets the expectation of the contemporary museum visitor in terms of accessibility, presentation and interpretation.” It never reopened.

Plaque outside Newman House.

Simultaneously, discussions had been taking place since 2010 between the National Library of Ireland and University College Dublin for a creative alliance between their two unique assets – NLI’s Joyce collection and UCD’s historic Newman House property at 86 St. Stephen’s Green. Built in 1765 as a private residence, it was transformed in 1854 into the  Catholic University of Ireland , precursor of UCD, under the rectorship of John Henry Cardinal Newman. Joyce studied there from 1899 to 1902.

A panel in the new museum recalls the old museum.

In September 2019, Newman House opened as the Museum of Literature Ireland (or MoLI–after the Joyce character Molly Bloom. This was six months before COVID closed the DWM and the rest of Dublin. Now that it has survived the pandemic, MoLI features “dynamic, immersive exhibitions that tell the story of Ireland’s literary heritage from our earliest storytelling traditions to our celebrated contemporary writers.” One room of the new museum is dedicated to the DWM, including the artifacts mentioned above. Other materials that are not on display have become part of the MoLI’s archives.

In March, MoLI named David Cleary as its new director and CEO. He had been director of sales & operations at EPIC, The Irish Emigration Museum in Dublin’s Dockside district. MoLI receives government and private sector support.

In addition to its displays, MoLI offers a gift shop and cafe, including outdoor seating in a lovely courtyard. The courtyard provides access to Iveagh Gardens, described here as “among the finest, but least known, of Dublin’s parks and gardens.” Or, in the words of a popular Irish woman writer affixed to the entrance gate:

The gate between the Museum of Literature Ireland courtyard and the Iveagh Gardens.