Capital Irish Film Festival screens today’s Ireland

The 20th annual Capital Irish Film Festival (CIFF) runs February 26-March 1. The event is presented and produced by Solas Nua, a Washington, D.C.-based contemporary Irish arts organization, in partnership with the American Film Institute’s Silver Theatre & Cultural Center in Silver Spring, Maryland. See the full program, several individual films are linked below. Last year, a record €544 million was invested in the Irish economy across film, television, documentary, and animation projects, a 26 percent increase from 2024, according to Screen Ireland.

Maedhbh McCullagh became director of CIFF in 2022. The County Cavan native has worked as a multidisciplinary cultural producer, arts programmer, and creative consultant on both sides of the Atlantic. The transcript below is edited from our Feb. 18 Zoom call and email exchanges. MH

Maedhbh McCullagh

MH: Tell us a little about the history of the film festival and how it serves the mission of Solas Nua.

M. McCullagh: Solas Nua means new light in Irish. It’s a multidisciplinary arts organization that is dedicated to bringing the best of contemporary Irish arts to the Washington, D.C. area. It’s a nomadic organization presenting work in different parts of the city and is renowned for its innovative programming; commissioning, producing and presenting thought-provoking work throughout the year. And so, I suppose one could say that it’s an ambassador for Irish arts in D.C. and beyond.

The organization was founded in 2005 by Linda Murray who wanted to see work directly from Ireland being presented in D.C. She wanted to make people aware of Ireland as it is now. That was the seed of Solas Nua and the first film program was presented in 2006. The work reflects contemporary Ireland, not a nostalgic view of  Ireland of a bygone era that maybe wasn’t necessarily making its way to DC at that time. And so I think that set it apart. And that’s where the mission of Solas Nua grew from.

MH: Are audiences really still clinging to nostalgic views of Ireland?

M. McCullagh: Nostalgia is something we all feel but I’ve never heard of any CIFF patron complaining about a lack of films that depict Ireland in a traditional “Quiet Man” kind of way. Solas Nua is a presenter of contemporary Irish arts and this program is on a mission in that regard. But the thing about these films is they are neither one thing or another, they are a reflection of a diverse, pluralist, modern Irish society that is multilayered and complex, with an ever-evolving set of identities. This is what the Irish people do. We hold a multitude of things at once. We are the essence of contrasts, darkness and light, contemporary and yet steeped in tradition with these deep ties to the land, to our history, to our understanding of what our history is, and it’s continuously changing.

And in saying this, one of the through lines of this year’s program is the fact that several films use rare archival footage to great effect, evoking nostalgia for historical moments and events. Our opening night film, the East premiere gala screening of Lisa Barros D’sa and Glenn Leyburn’s “Saipan,” is a nail-biting, darkly comic drama recount​ing one of the most fractious falling-outs in the history of sport! The film explores the explosive clash between international soccer star Roy Keane (Éanna Hardwicke) and manager Mick McCarthy (Steve Coogan) on the island of Saipan just days before the Irish national football team competed in the 2002 FIFA World Cup. The directors use some historic footage, including news reports of the time, which roots the film in the period, and brings the viewer right back to that time.

MH: This year’s festival includes films by 15 women directors and 17 women writers. Tell us about how women’s contributions to Irish film have evolved over the last 20 years?

M. McCullagh: Over the last 20 years, the contribution of Irish women in film has gone from being quietly overlooked to being recognized and openly celebrated and getting the recognition it deserves. Back in the mid‑2000s, women were doing the work — writing, producing, shooting documentaries, keeping indie film alive — but rarely getting the credit, funding, or visibility. Over the past ten years, thanks to women-centered social movements, the determined work of academics and journalists, and the ongoing activism and advocacy of women professionals across the AV sector, critical focus and attention have illuminated and reflected the truth of women’s experiences and the lack of parity in pay and opportunities in the industry. Studies from groups such as Women in Film and Television Ireland and the National Women’s Council and publications such as Dr. Susan Liddy’s Women in Irish Film: Stories and Storytellers showed that women have driven innovation in screenwriting, documentary filmmaking, editing, and producing, often pushing Irish cinema toward more socially conscious and community‑rooted storytelling.  They’re driving some of the most exciting writing, directing, and documentary work, despite pervasive systemic barriers and an ongoing lack of representation.

Some of the 42 films being shown at the 20th Capital Irish Film Festival in DC.

MH: What else do you want people to know about this year’s festival?

M. McCullagh: First-off, with 42 films across 22 screenings, the program has something to offer everyone! Expect gripping dramas, Irish-language thrillers (BÁITE,AONTAS), music documentaries (CELTIC UTOPIA, BP FALLON ROCK’N’ROLL WIZARD VOL. 1, IN TIME: DONAL LUNNY), profiles of political leaders who lead with peace (GERRY ADAMS: A BALLYMUPRHY MAN, DANIEL O’CONNELL: THE EMANCIPATOR), and women fighting for justice (TESTIMONY).

Our program lifts up marginalized voices, with stories featuring trans relationships (GIRLS & BOYS, PUREBRED), the deaf community (A QUIET LOVE), and Ireland’s Traveller community (TRAVELLING BACK).

CIFF presents two 2026 Oscar entries, SANATORIUM (Ireland’s official entry for Best International Feature Film) and RETIREMENT PLAN (Nominee, Best Animated Short), and BAFTA-nominated A WANT IN HER (Outstanding Debut By A British Writer, Director Or Producer)

The festival opens with the East Coast premiere of SAIPAN, described above. The 5th annual Norman Houston Award will be presented as part of a double-billing of THREE KEENINGS and the third-ever screening of NO ORDINARY HEIST, with a reception sponsored by the Northern Ireland Bureau. The festival closes with Brandan Canty’s phenomenal feature directorial debut, the internationally renowned CHRISTY, a powerful, big-hearted coming-of-age story that won the Grand Prix at the 2025 Berlinale and just this week won Best Film and Best Director at the Irish IFTA Academy Awards.

It’s a fantastic four-day celebration of creativity and community, where you will see a rich and diverse program of world-class Irish films about Ireland or by Irish filmmakers. It’s an incredibly sociable and welcoming environment where you’ll meet like minded people who also love film, love Iearning about Ireland and discovering Irish talent, all in one space. There’s plenty of opportunity to meet up in between the screenings and in the evenings at our receptions and parties and our partner venue McGinty’s next door to the venue. I hope these films will inspire, uplift, spark dialogue, and cultivate an appreciation for the amazing craft of filmmaking and the value of seeing these artists’ work on the big screen.  Right now, more than ever before we need these diverse stories and perspectives to help foster a more inclusive, united, and engaged society. Pease join us February 26 – March 1.

From the archives: ‘Mrs. Brophy’s late husband’

James Brophy. Of Dublin? Or New York?

James Brophy died in Dublin on Feb. 12, 1921, the civilian casualty of a stray bullet in Ireland’s War of Independence. About the same time, an Irish immigrant of the same name disappeared from his family in New York City.

When newspapers America reported the death of Mr. Brophy in Dublin, Mrs. Brophy of New York urged U.S. diplomats and Irish police to investigate the case of her missing husband. The coincidence offers a glimpse of early 20th century Irish lives on both sides of the Atlantic, when handwritten letters crossed each other at sea and personal identification was more vague than today.

I wrote “Mrs. Brophy’s Late Husband” for The Irish Story in December 2016. It offers a unique view of Ireland’s revolutionary period and Irish America from the perspective of people at the edges of history. Such stories “humanize and enrich history by reminding us that the study of the past should include the study of the lives of ordinary people, their attitudes, beliefs, motives, experiences and actions,” Bill McDowell wrote in Historical Research: A Guide for Writers of Dissertations, Theses, Articles and Books.

This story has been a reader favorite in the past. I hope new audiences might enjoy it, too. MH

McEntee comments on House ‘censorship’ allegations

This post has been revised from our live blog of the Feb. 4 “Bridging the Atlantic VII” conference at Georgetown University. MH

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Irish Minister for Foreign Affairs and Trade Helen McEntee, TD, has addressed the House Judiciary Report ​report allegations of “harassment” and “censorship” by the EU and Coimisiún na Meán against tech groups to undermine conservative and populist parties.​

McEntee would not take my question about the matter after her keynote speech at Georgetown’s seventh annual “Bridging the Atlantic” conference. Her press counselor did not return an emailed follow up.

McEntee confirmed to the Irish Times that she discussed the issue with US trade ambassador Jamieson Grier. She stressed Ireland’s position that the regulations are designed to protect young people, according to the Times, which quoted her saying:

“I think there are certain elements of this that we don’t agree on. And for me it’s important that we engage on the areas we disagree on. I think what we all agree on is that, irrespective of whether someone is online or offline, they are protected. It’s about engaging and looking at how we can resolve those differences and I certainly think there is a view from the US that perhaps, you know, we could not deregulate. There is an element of red tape that could be removed and Ireland has been very clear that that’s something we want to see happen.”

During her Georgetown speech, McEntee said US challenges to Greenland’s sovereignty are “unacceptable.” Say said that any framing of Ireland having to decide between the US and EU is “rubbish.”

Ireland will hold the presidency of the Council of the European Union in the second half of this year. McEntee says Ireland has a strong committment to international law and believes in the United Nations.

“There is a risk of looking back with rose-tinted glasses to a past that never reallys existed,” McEntee said, echoing earlier conference panelists.

McEntee is a Fine Gael politician from Meath East. She was first elected in 2013, replacing her father in the constituency. She is also Ireland’s Minister of Defense, the first woman to hold the two ministerial roles.

McEntee said she met earlier today with members of Congress from both US parties on a variety of issues. Despite challenges to the US-Irish relationship, “more unites us than divides us,” she said.

New staff being added to Irish embassies in DC and throughout the US. “The St. Patrick’s Day program this year will be the most ambitious ever,” McEntee said.

“What once felt settled is being fundamentally tested,” she said. “I don’t take lightly the scale of what is going on around us. But our relationship will get us through any challenges.”

(An earlier version of this post incorrectly stated that Ireland would chair the UN Security Council later this year. That has been corrected to presidency of the Council of the European Union.)

Irish Minister for Foreign Affairs and Trade Helen McEntee, TD.

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Here is some of my live coverage from the conference panels.

Carolyn Gallagher and Kimberly Cowell-Meyers, both of American University, discuss Building a Green Wall: Irish America’s Resurgence Post-Brexit. Their 2025 book explores how Irish American interested lobbied to stop a hard border on the island of Ireland resulting from Brexit. Mary Murphy of Boston College says Sinn Fein’s efforts for united Ireland face strong headwinds in the US. Things are much different today compared to the Northern Ireland peace process of the 1990s or the post-Brexit border issue. … Ireland as a small state is also loosing agency on other issues in the disrupted international order, she said.

“The New Worlds of 21st Century Irish-America’ panel, left to right: moderator Liam Kennedy (University College Dublin); Carolyn Gallagher (American University); Kimberly Cowell-Meyers (American University); and Mary Murphy (Boston College).

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Discussing United Irishmen and Young Ireland impacts in Ireland and the USA. … Many Irish in America was said to be members of radical and revolutionary groups in Ireland … but they really weren’t, Anbinder says.

The 1912 US election resulted in 43 Irish American congressmen, four Irish American US senators, four Irish American governors, and one Irish American president (Woodrow Wilson), according to Meagher. Only two of the congressmen were native born Irishmen, the rest were second generation Irish Americans. All were generally wary of getting involved in Irish politics. “Tammy Hall doesn’t pay a lot of attention to Irish nationalism,” Meagher said. That changed after the 1916 Rising.

Revolutionary Routes Across the Atlantic: 1776 and Beyond panel: left to right: Moderator Tyler Anbinder (George Washington University); Tim Meagher (Catholic University); Hannah Nolan (University of Maryland); and Chris Morash (Embassy of Ireland).

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Cian T. McMahon, University of Nevada, Las Vegas, historian noted that most scholarship of the Irish in America is focused on the 19th and 20th century, not the 18th century. New York University historian Marion Casey said Ulster Scots were not the only Irish in colonial America, as typically portrayed. Members of British Army in the colonies included Irish from across the island. The US also was a convict dumping ground for the empire. “The 18th century cannot be pigeon holed as one thing,” Casey said.

McMahon said historians should focus on “stories,” plural, not a single “story” of the Irish in America. “I don’t think that’s what happening on the America 250 website,” he said, which is focused on “our American story,” singular. He said the US commemoration should not be about one national ideal, but a set of debates about multiple ideals.

“America250: American Lives, Irish Legacies” panel, left to right: Cian T. McMahon (University of Nevada, Las Vegas); Marion Casey (New York University); Darragh Gannon (Georgetown University); and moderator Caitríona Perry (BBC News).

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In opening remarks, Cóilín Parsons, director of Georgetown’s Global Irish Studies program, noted this year’s conference will focus on the past more than contemporary issues. He acknowledged the US-Irish (and EU) relationship is currently “under duress.” That’s all the more reason for an honest exploration of the foundations of the relationship beyond “some gauzy dream of friendship.”

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I’m at Georgetown University’s “Bridging the Atlantic VII” conference in Washinton, DC. This year’s event will explore 250 years of US-Irish relations. I am live blogging the event throughout the day. Email subscribers should check the website to see the updates. Here’s our coverage of last year’s event.

‘America and Ireland at 250’ focus of Feb. 4 Georgetown conference

Georgetown University’s Global Irish Studies program and other partners will explore 250 years of US-Irish relations during the 7th annual “Bridging the Atlantic” conference. I will live blog the Feb. 4 event from the university’s Capitol Campus in Washington, D.C.

Ireland’s Minister for Foreign Affairs and Trade Helen McEntee, TD, is scheduled to deliver the keynote address. Panel discussions include “America 250: American Lives, Irish Legacies”, “Revolutionary Routes Across the Atlantic: 1776 and Beyond”, “The New Worlds of 21st Century Irish-America”, and “Re-imagining the ‘Green Wave’: Cultural Visions of Ireland in America.”

Panel participant rosters and registration found here.

Georgetown’s conference partners include the BMW Center for German and European Studies, in association with the Embassy of Ireland, the Clinton Institute at University College Dublin, Queen’s University Belfast, and the Northern Ireland Bureau.

One of the panels at last year’s Bridging the Atlantic VI conference.

The ‘worst year that was ever remembered’

This post is reprised from January 2021 with minor revisions. The referenced letter is from the Joan Diggin Collection, part of the University of Galway’s ‘Imirce’ project of Irish emigrant letters and life stories from North America. Joan was my aunt. MH

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On Jan. 24, 1921, widowed farmer John Ware wrote a hand-written letter from Killelton townland, Ballylongford, a rural community in County Kerry where the River Shannon empties into the sea. The letter was addressed to his same-name, bachelor son, a streetcar motorman in Pittsburgh, Pennsylvania, a noisy, smokey industrial city of more than a half million people; a hub of Irish immigrants, including two of his sisters, with a brother on the way. The sender was the father of my maternal grandmother, the recipient her older brother.

The 87-year-old father began the letter by thanking his 35-year-old son for an earlier postal order for £3, equivalent to about $175 today.[1]Bank of England Inflation Calculator through November 2025, and XE Corp. GBP to USD conversion on Jan. 20, 2026. Such remittances from immigrants were vital to the Irish economy and perpetuated still more departures.

Your prosperity in America is a great consolation to me. Your generosity and kindness since you left home.

John Ware in US Army uniform, World War 1.

John Ware the younger left home in 1910. Sisters Nora (my grandmother) and Bridget followed him to Pittsburgh in 1912 and 1916, respectively. He was naturalized in 1917, entered the U.S. Army as as private in April 1918, and shipped to France two months later. John survived the Great War and returned to Pittsburgh in February 1919.[2]See: An Irish-American’s most perilous summer, 1918.

The father reported that another son in Ireland had just welcomed a baby girl to his family three weeks earlier. A third son had sailed from Queenstown four days before he wrote the letter, also destined for Pittsburgh.

We all felt so happy he [was] able to get away giving to the present state of the country. That state of the case in Ireland at present is very bad.

War in Ireland

Ireland was in turmoil in January 1921. Two years had passed since Irish separatists established Dáil Éireann in Dublin. The Irish Republican Army’s guerrilla war against the British adminstration in Ireland had escalated steadily since summer 1920. IRA attacks were typically followed by military and police reprisals.

There was a policeman shot in Listowel a week ago. There is a fear there will be great damage done the town of Listowel through envy.

District Inspector Tobias O’Sullivan

District Inspector Tobias O’Sullivan was shot multiple times at close range mid-afternoon Jan. 20, 1921. He was only a few yards from the Listowel barracks. The victim was accompanied by his 5-year-old son.[3]”Listowel D.I. Shot Dead In Sight of Barracks”, The Kerryman, Jan. 29, 1921.

In Pittsburgh, John Ware may have read the next-day, front-page newspaper coverage of the O’Sullivan killing,[4]”Irish Official, 5 Constables Slain in Trap … Second Inspector Slain”, Pittsburgh Post-Gazette, Jan. 21, 1921. which occurred about eight miles from his father in Killelton, Ballylongford. Pittsburgh papers reported several of the shootings and fires deliberately set to houses, creameries, and other businesses that occurred in North Kerry since fall 1920,[5]Dwyer, T. Ryle, Tans, Terror and Troubles: Kerry’s Real Fighting Story 1913-23, Mercer Press, Cork, 2001. See Chronology, pps. 21-29. one episode only a few weeks earlier:

At Listowel, in the marshal law area, crown forces  were fired on by civilians while arresting men wanted. They returned the fire, killing one and wounding two who were captured and sent to a hospital. Five arrests were made.[6]”Three Die In Fighting”, Pittsburgh Daily Post, Jan. 3, 1921.

These and other episodes of violence against civilians, but not IRA attacks on military and police, were cataloged by the Dáil in “The Struggle of the Irish People,” presented in May 1921 to the U.S. Senate.[7]“The Struggle of the Irish People”, Address to Congress of the United States, Adopted January 1921 Session of Dáil Eireann. Attacks on people and property in Listowel and Ballybunion, pps. … Continue reading The burning of Ballylongford “has still not been forgotten locally” a Kerry author wrote nearly a century later.[8]O’Callaghan, Tony, The Kerry Coast, Tony O’Callaghan, Blennerville, Co. Kerry, 2016, p. 31.

Agricultural distress

War violence was not the only trouble John Ware mentioned in his letter from Kerry:

The past year in the country is the worst that was ever remembered. The most of the year was all raining, the farm produce was never before so bad.

Farming in Kerry in the early 1920s.

His assessment is confirmed in Kerry newspapers of autumn 1920, which reported the impacts of a “late spring” and “continuous wet weather” that created a “black outlook not only for the farmers but for the people in the towns as well.”[9]”Kerryisms”, The Liberator (Tralee), Oct. 7, 1920. Government reports also recognized the decline in agricultural activity that year, though quantifying it was complicated by the war and relied on estimates and summaries. “In 1920 it was not found practicable to obtain particulars of either crops or livestock on all farms.”[10]Farming Since the Famine: Irish Farm Statistics 1847-1996, Central Statistics Office, Ireland, 1997, p. 31

John Ware in Kerry did not mention his two daughters in Pittsburgh, who worked as household servants and perhaps also sent remittances. He concluded the letter to his son with wishes for a Happy New Year, a year that would soon bring a truce to the fighting and end with the treaty that created the Irish Free State.

References

References
↑1 Bank of England Inflation Calculator through November 2025, and XE Corp. GBP to USD conversion on Jan. 20, 2026.
↑2 See: An Irish-American’s most perilous summer, 1918.
↑3 ”Listowel D.I. Shot Dead In Sight of Barracks”, The Kerryman, Jan. 29, 1921.
↑4 ”Irish Official, 5 Constables Slain in Trap … Second Inspector Slain”, Pittsburgh Post-Gazette, Jan. 21, 1921.
↑5 Dwyer, T. Ryle, Tans, Terror and Troubles: Kerry’s Real Fighting Story 1913-23, Mercer Press, Cork, 2001. See Chronology, pps. 21-29.
↑6 ”Three Die In Fighting”, Pittsburgh Daily Post, Jan. 3, 1921.
↑7 “The Struggle of the Irish People”, Address to Congress of the United States, Adopted January 1921 Session of Dáil Eireann. Attacks on people and property in Listowel and Ballybunion, pps. 15-17, 20, and 28-30. Presented in the U.S. Senate on May 2, 1921, and recorded in Senate Documents, Vol. 9, 67th Congress, First Session, April 11-Nov. 23, 1921, Government Printing Office, Washington, D.C., 1921.
↑8 O’Callaghan, Tony, The Kerry Coast, Tony O’Callaghan, Blennerville, Co. Kerry, 2016, p. 31.
↑9 ”Kerryisms”, The Liberator (Tralee), Oct. 7, 1920.
↑10 Farming Since the Famine: Irish Farm Statistics 1847-1996, Central Statistics Office, Ireland, 1997, p. 31

More Americans move to Ireland to flee Trump

Rosie O’Donnell isn’t the only American who has emigrated to Ireland to escape the realm of Mad King Don the Con.

Nearly 100 US citizens (94) sought formal political asylum in Ireland last year, up from 22 in 2024. The figure was 18 in 2023 and 13 in 2022, according to Irish Department of Justice data cited by the Irish Times.

Citizensinformation.ie, an Irish government website, provides this information about applying for asylum.

Another 9,600 US citizens moved to Ireland without seeking asylum protection in the 12 months to April 2025. That’s nearly double the 4,900 who immigrated to Ireland in the previous 12 months, the Times reported, citing data from the Central Statistics Office.

Numerous media outlets have reported surges in the number of US citizens who have applied for Irish passports since President Trump returned to the White House last January. RTÉ appears to have been one of the first to use the term “Trumpugees.”

Of course, it’s difficult to fully escape from Trump. His tariffs and other policy decisions have economic and political consequences in Ireland and the rest of the world. In September the Irish Open will be at held at Trump International Golf Links Ireland, in Doonbeg, County Clare.

The Trump golf and hotel operation has sought planning permission to build-wait for it–a new ballroom. That’s right, why just erect such a gathering place adjacent to the White House in Washington when you could also add one to the Clare coastline. A permit decision from Clare authorities is expected by late February.

The entrance of Trump’s Doonbeg golf course in County Clare during my July 2016 visit, while he was campaigning for his first term as US president.

Massive prehistoric settlement in Co. Wicklow detailed

Archeologists from Queens University Belfast have described an area in County Wicklow as “the largest nucleated settlement identified in prehistoric Ireland and Britain.” Their findings are reshaping the established understanding of Bronze Age and Iron Age social organization in ancient Ireland and challenging assumptions about settlement patterns in prehistoric Europe.

Antiquity magazine first reported the discovery in a Nov. 18, 2025, article. Since the first of the year other scientific journals and the popular press have featured additional stories.

The study area at the south-western edge of the Wicklow Mountains is about 45 miles south of Dublin city. It is known as the Baltinglass hillfort cluster. It includes up to 13 large hilltop enclosures which contain up to 600 suspected house platforms. The site shows signs of continuous settlement from the Early Neolithic through to the Bronze Age, between 3700 to 800 BC.

Fáilte Ireland (the National Tourism Development Authority) in 2015 launched the “Ireland’s Ancient East” tourism initiative to promote “over 5,000 years of history hidden amidst these lush landscapes, winding rivers and glorious gardens” of the region. This finding should add to the mystique.

Aerial photograph with indication of test-trench locations in County Wicklow.            Cambridge University Press.

Best of the Blog, 2025

My thirteenth year of producing this blog was productive and rewarding. Highlights included the publication of several freelance pieces in scholarly journals or the popular press. The University of Galway accepted my family’s letters between the U.S. and Ireland from the 1920s through the 1980s for their digital immigrant archives. I was interviewed for a St. Patrick’s Day television program and gave a presentation about Michael J. O’Brien, my 2024 entry in the Dictionary of Irish Biography. I made my thirteenth visit to Ireland in 25 years.

This website was on pace for record all-time traffic, then rocketed over the top by a mid-November surge of AI content-scraping bots. Or maybe thousands of readers in China have suddenly become interested in Irish news and history. I object to the unauthorized grab of my intellectual property, but I’m happy if it eventually contributes to global knowledge, especially my work about American journalists in Ireland.

More details and links to some of this year’s best content follow below each of the photos:

The gate between the Museum of Literature Ireland courtyard and the Iveagh Gardens. “MoLI replaced the former Dublin Writer’s Museum.

Freelance pieces

The former London and North Western Hotel seen in April 2025. A group of American journalists watched from the top floor as Irish rebels and British forces fired on each other during the 1916 Rising. The dark glass building at right is part of the Salesforce Tower, which renovated the former hotel as office and meeting space. The red brick structure at left is the former railway and steam packet terminal operated by the L&NW hotel company. It was vacant during my visit. The building faces the River Liffey.

Two blog series:

Revisiting William Brayden’s 1925 ‘survey’ of Ireland

The Irish-born journalist wrote a summer 1925 series for the Chicago Daily News about the state of Ireland on both sides of the partition. His series, later compiled as a book, and follow up reporting about the end of the Irish Boundary Commission served as the conclusion to American newspaper coverage of Ireland’s decade-long revolutionary period.

Leon and Jill Uris in Ireland

The American husband and wife team, author and photographer, respectively, made several visits during the 1970s. They produced photobooks and a bestselling novel that perpetuated notions of “romantic Ireland” before the Republic’s economic modernization and the Good Friday Agreement at the end of the 20th century.

Family letters

Nearly 60 of my family’s letters to and from Ireland were accessioned and digitized in the Imirce (Irish for migration, emigration) project at the University of Galway. The searchable Joan Diggin Collection is named after my aunt, who either authored or was the recipient of most of the letters. The collection also includes a digitized copy of my 2013 book, His Last Trip, about Joan’s father, my grandfather. The letter manuscripts and a print copy of the book may be consulted in the Archives and Special Collections Reading Room.

This February 25, 1953, note from Ireland before St. Patrick’s Day is part of the Imirce collection. I kept the shamrocks, which also were included in several other letters.

Television interview

Watch my St. Patrick’s Day interview with FOX 8’s “News Now” in Johnstown, Pa. The conversation covers my Irish ancestry and historical research. Each segment is 5 minutes:

My remote St. Patrick’s Day television appearance for FOX 8 in Johnstown, Pa., included the obligatory bookcase in the background. But they are real books that I’ve actually read and use.

Thanks archivists, librarians, and others

This year’s research included multiple visits to the Library of Congress, National Archives and Records Administration, and Catholic University of America here in Washington, D.C. I also spent time at the National Library of Ireland, Dublin, New York Public Library, and the Catholic Diocese of Pittsburgh Archives and Records Center. I received remote help from the Newberry Library in Chicago, the Catholic Diocese of Gaylord, Mich., and the Paulist Archives in New York City. As always, I am grateful to the professionals at these institutions who assisted my work. … I was delighted to contribute some research and materials to “The Irish Revolution in the African American Press” exhibition at University College Cork. It focused on how the US black press covered De Valera’s tour of America (1919–20), MacSwiney’s hunger strike death (1920), and the Anglo-Irish Treaty (1921-22). Dr. Jemima Hodgkinson, a Research Ireland postdoctoral fellow, curated the exhibit. … I enjoyed watching excellent presentations by Irish historians (and friends) Daniel Carey and John Dorney at the “Navigating War and Violence in Twentieth-Century Ireland” conference at Dublin City University in April. … On the same trip I was welcomed to Dungloe, County Donegal, by Patrick J. Dunleavy, chairman of the The Cope’s board of directors, who gave me a detailed driving tour of the Rosses region, and by Mark Sharkey and Emma McGarvey, Cope CEO and business support manager, respectively.

I hope to return to Ireland in 2026, and to visit two new domestic archives I’ve eyed for some time. Meanwhile, happy holidays to the site’s human readers, especially my loyal email subscribers. Sláinte!

Low tide twilight at Dungloe, County Donegal. The pier at left replaced the one constructed during the revolutionary period and detailed in 1922 by American journalist Redfern Mason.

More on Jill and Leon Uris in Ireland

I’m keeping my promise to follow up an earlier post, When Jill and Leon Uris went to Ireland. The couple first visited both sides of the partitioned island from May 1972 to January 1973, then published Ireland: A Terrible Beauty in November 1975. The book featured nearly 400 photographs by Jill and text by Leon, an established author.

Leon released his Irish novel, Trinity, in 1976. It became a best-seller. The couple returned to Ireland at least five more times over the next few years. Jill photographed places that represented the fictional locations in Trinity. She did a piece for the Ladies’ Home Journal magazine headlined “Connor and Shelly,” which illustrated the novel’s main characters. Jill and Leon traveled the River Shannon on a houseboat, “a lovely second honeymoon,” she recalled in a second book of photos, Ireland Revisited, published in 1982.[1]Jill Uris, Ireland Revisited. [Garden City, New York: Doubleday & Company, Inc., 1982], 1-2.

Of her half dozen trips to Ireland, Jill enthused:

I always arrive with anticipation, wanting to be haunted by her mysteries and teased by her fantasies. I travel through her tortured landscape wondering what it is about this place that entices me so. Is it ancient ruins, wild seascapes, the hundred shades of green? Or is it the verbal jousting and continual singsong of stories in a language that is something beyond English …yet not quite foreign? It is all of these and more; it is a people whose goal is only to be themselves, whose spirit retains a dignity which is rare in today’s world. It is the Irish refusal to be servants to anyone but their own minds.[2]Ibid.

The Irish Independent published this advert on Dec. 8, 1982. The image appeared on the book jacket and on an inside page. Titled “Man of Aran,” the figure was Dara Beag Ó Fátharta, the “Bard of Inishmaan,” who died in 2012 at the age of 92.

Revisited received mostly tepid reviews. John M. McGown of Gannett News Service noted the Uris’s first photo book had become “a staple on the shelves of Irish Americans” and the second was “likely to become a companion piece.”[3]”Two authors write varying views of Irish”, St. Cloud (Minn.) Times, Dec. 2, 1982, and other papers. But Doug Wells of the Des Moines (Iowa) Register compared paging through Revisited to sitting through a neighbor’s vacation slides as he rhapsodized about how much he “just loved Ireland.”  Wells continued:

To be sure Jill Uris is a much better photographer than the man next door. Most of her photographs are well done. … She has concentrated on the rural, older Ireland, the romantic image most Americans have of the country. … But just as your neighbor babbles on and on about how beautiful it all was, so Uris carries on about Ireland. Her dullish prose, combined with snips and scraps from Irish writers and poets, upset what flow and balance the pictures provide.[4]”Too much, too little”, Des Moines (Iowa) Register, Oct. 17, 1982.

In Ireland, Frank Miller of the Sunday Press described Revisited as “a headless horse of a book, a book of photographs based on an unreality, lost and wandering somewhere between the myths and mists of romantic Ireland.” He also complained that Dara Beag Ó Fátharta (image above) appeared “no less than four times through the book.”[5]”Lost between myths and mists of romantic Ireland”, Sunday Press, (Dublin), Dec. 5, 1982.

Historical context

Ireland Revisited appeared a decade after Bloody Sunday in Derry, Northern Ireland. As copies reached American bookshops in autumn 1982, the Troubles’ death toll climbed to 1,794 by year’s end. This turned out to be roughly half the total of number of people killed in the conflict.[6]”Year of the death” in Malcolm Sutton’s Index of Deaths from the Conflict in Ireland, found at cain.ulster.ac.uk. Sutton’s index ranges from 1969 to 2001, three years after … Continue reading

Jill Uris wrote that after each of her trips to Ireland “the headlines from the North became more piercing. The people in the Republic wish the ‘troubles’ would just drift away. After all, they are finally building their own country and who needs the continuing hostility and fanaticism of Ulster?”

In fact, the Republic in the mid-1980s was “crippled by political violence, mass emigration, mass unemployment, political paralysis and a sense of hopelessness,” Michael McDowell, an independent member of Seanad Éireann, wrote at the start of 2025. It would take another decade or so before the Republic began the economic modernization known as the “Celtic Tiger” and citizens confronted abuses by the Catholic Church that resulted in today’s militant secularism. More then 40 years after Ireland Revisited, Ireland faces “very real” new challenges, McDowell concluded, “but very different from the dark past we left behind.”

So, too, “Romantic Ireland’s dead and gone. It’s with O’Leary in the grave.”[7]”September 1913” by William Butler Yeats.

References

References
↑1 Jill Uris, Ireland Revisited. [Garden City, New York: Doubleday & Company, Inc., 1982], 1-2.
↑2 Ibid.
↑3 ”Two authors write varying views of Irish”, St. Cloud (Minn.) Times, Dec. 2, 1982, and other papers.
↑4 ”Too much, too little”, Des Moines (Iowa) Register, Oct. 17, 1982.
↑5 ”Lost between myths and mists of romantic Ireland”, Sunday Press, (Dublin), Dec. 5, 1982.
↑6 ”Year of the death” in Malcolm Sutton’s Index of Deaths from the Conflict in Ireland, found at cain.ulster.ac.uk. Sutton’s index ranges from 1969 to 2001, three years after the Good Friday Agreement.
↑7 ”September 1913” by William Butler Yeats.

St. Mary’s, Dublin, no longer ‘Pro-Cathedral’

Pope Leo XIV in November formally designating St. Mary’s Pro-Cathedral as the cathedral of the Catholic Archdiocese of Dublin, ending 200 years of “pro-tempore” or “provisional” status. St. Mary’s, located two blocks off Dublin’s main boulevard, is now the capital’s first official Catholic cathedral since the Reformation.

The history of St. Mary’s is deeply interwoven with Irish religious and political history. As noted on the cathedral’s website:

The rebellion of 1798 and consequent reprisals postponed plans to build a large, central church … .  Catholic Emancipation did not, as hoped, come with the Act of Union passed in 1800.  Even the siting of the new church tells its own tale.  When in 1796, Drogheda Street (later O’Connell Street) was widened on its west side to align it with Sackville Street and become Dublin’s premier thoroughfare, one of the sites on offer was considered for the new St. Mary’s.  However, it was feared that such a bold step might only delay or jeopardize Emancipation, so attention was directed to a less conspicuous spot nearby, leaving the Sackville Street property to become the site of the new general post office.

St. Mary’s opened on November 14, 1825, as the Roman Catholic Metropolitan Chapel. It was the Feast of St. Laurence O’Toole, patron of the Archdiocese of Dublin. Ninety-one years later the 1916 Eastern Rising unfolded a few blocks away at the General Post Office, which had opened a few years before St. Mary’s. There was briefly talk of building a new Catholic cathedral in place of the burned out GPO, but the building instead was restored to its civic purpose.

Much has been written, including on this blog, about the decline of the Roman Catholic Church in Ireland over the past several decades. The fall has appeared even more precipitous because of the robust and definitive presence the Church held in Ireland for more than a century.

“There can be a temptation to look to the past with rose-tinted glasses when the churches were full, but as we know not all was well and serious issues needed to be faced,” Auxiliary Bishop Paul Dempsey of Dublin said after the pope’s announcement. “This process has been disconcerting for some who have a nostalgia for the past and want to go back to the way it was. However, nostalgia could be described as a looking into the past with the pain taken away.”

He continued:

So today, as we reflect upon 200 years of St. Mary’s we are left with a choice: Do we lament the past and wish for its return or seek ways of looking forward with hope-filled hearts, responding to the new questions we face in a complex and changing culture? When I reflect upon the life of Jesus in the Gospels, I see someone who was always looking forward! As his disciples we need to do the same, while always learning from the past

Plans are being developed to renovate and restore the 200-year-old St. Mary’s Cathedral. The church appeared a little dingy during my last visit in April, though the Palestrina choir at the 11 a.m. Sunday Mass was lovely.

Dublin now has three cathedrals. Christ Church, the original Catholic cathedral when Protestants broke away from the papacy, is the Church of Ireland cathedral for the Dublin and Glendalough dioceses. St Patrick’s Cathedral is the Church of Ireland’s national cathedral.

A statue of the Sacred Heart of Jesus inside St. Mary’s Cathedral, Dublin. April 2025.