Tag Archives: Robert Emmet

An American reporter in 1920 Ireland: Mummers

Harry F. Guest

American journalist Harry F. Guest of the New York Globe spent January and February 1920 reporting from revolutionary Ireland. Upon his return to America, he wrote two dozen stories based on his interviews and observations, which were syndicated to U.S. and Canadian newspapers through May 1920. See earlier posts in this series and other stories about American reporting of Irish independence at the linked project landing page. Reader input is welcomed, including photos or links to relevant source material. MH

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Night With Irish Mummer Who Gives Performances In House Or Barn In Secret1

Guest attended “one of the most popular ways of keeping the torch of liberty lighted and fanning the flames of hatred of England in the south of Ireland … a revival of the ‘mummers‘, roving bands of actors who impersonate the ancient and modern Irish heroes.”

The reporter, guided by an escort on a dark and misty evening, “walked, or rather stumbled” across the fields to a farm house about two miles outside of Glengarriff, in County Cork. Approved by a sentry, the pair entered a barn filled with about 40 people, Guest estimated, “a dozen of whom were women.” Two lanterns dimly illuminated a small platform. He continued:

Thomas Ashe

From somewhere out of the darkness at the side of the stage a bent figure slowly made its way to the center. The face of the man was whitened and drawn as if in pain. ‘It’s Tom Ashe’ my companion whispered, meaning that the ‘mummer’ was impersonating Thomas Ashe, who died in Dublin in 1918, [sic, Sept. 25, 1917] following a hunger strike in prison. The bent figure on the platform straightened up and the lips moved:

My name is Ashe
and like a flash
From Kerry’s hills I came
And on the tree of Liberty
I carved a deathless name.

Guest quoted rhymes from other figures: Easter 1916 martyr Padriag Pearse; President of the Irish Republic Éamon de Valera, then touring America; and Lord Lieutenant of Ireland Sir John French, the government’s chief administrator at Dublin Castle. “Groans and hisses punctuated the [mummer’s] recital” for French, Guest wrote. Other impersonations included Wolfe Tone, Michael Dwyer, Robert Emmet, and Father John Murphy. 2

Guest noted that “if the audience feels secure enough,” a piper or fiddler might accompany the mummer and a dance after the performance. This was not the case at the show he attended. “The lanterns on the platform were put out, leaving the barn almost in darkness. The audience was not permitted to leave all together: they went out at twos and threes at intervals of a few minutes.”

Guest’s escort returned him to Glengarriff by a different route, “shorter, I’m thankful to say, for it was raining hard.”

Near Glengarrif, Co. Cork.

NEXT: Drastic Gov’t In Ireland Fosters Spirit of Hatred, Leading Churchmen Say 

On Robert Emmet, St. Patrick, and Irish Savannah

I’m on business in Savannah, Georgia, which claims to have America’s second largest St. Patrick’s Day parade, in large measure due to its once thriving native Irish population and subsequent generations of Irish Americans.

According to Visit Savannah:

As the Civil War and the Industrial Revolution moved masses of people into the larger cities in the north for factory work, jobs began to fill, and eventually Boston, New York and others turned the Irish away at the ports to keep work open for “native-born Americans.” But Savannah was one of the few port cities still open to the Irish, still in need of an able workforce for its shipping, agricultural and railroad industries. Savannah’s Irish heritage and cultural groups filled and multiplied, and its neighborhoods spilled out into the general population.

Emmet Park, a grassy strip on a bluff overlooking the Savannah River, is a year-round focal point of the city’s Irish heritage. It is named, of course, after Irish patriot and orator Robert Emmet. Here’s the historical marker erected by the Georgia Historical Society and the St. Patrick’s Day Parade Committee:

At the Cathedral of St. John the Baptist, site of the annual St. Patrick’s Day Mass, a statue of St. Patrick stands near the front entrance. Ireland’s patron saint is also depicted in one of the church’s stained glass windows.

See my 2014 post on Irish Savannah, from Arcadia Publishing’s popular “Images of America” series.

U.S.-Irish relations at St. Patrick’s Day: 1916-2016 (P3)

This blog series focuses on U.S.- Irish relations at St. Patrick’s Day over the past 100 years. Since this is the centennial of the Easter Rising, I’m looking at 1916 and each 25 years afterward: 1941, 1966 and 1991. I’m also writing a post on St. Patrick’s Day 1976, the year of the American bicentennial.

Part 3: The Rising’s 50th anniversary & the bowl of shamrocks

The tradition of an Irish government official visiting the White House at St. Patrick’s Day to deliver shamrocks dates to 1952. President Harry Truman was out of town when Irish Ambassador John Joseph Hearne paid the call.

During the Eisenhower years, “the ceremony’s prominence waxed and waned,” according to this 2010 CNN story, “but the shamrock presentation became a full-blown media event when John F. Kennedy, himself an Irish-American, entered the White House.”

Less than three years after Kennedy’s triumphant return to Ireland and his assassination six months later, Lyndon B. Johnson was the U.S. president. According to president’s daily diary for March 17, 1966, LBJ received Ambassador of Ireland H.E. William Fay and Mrs. Fay in the Oval Office shortly after noon.

The president was presented with “fresh shamrocks [redacted] flown in from Ireland in an 18-inch tall Waterford crystal vase.” It appears that two words are redacted between “shamrocks” and “flown.”

What got blacked out? My guess: “and whiskey.”

120513_jfk_lbj_2_ap.jpg (605×328)

JFK and LBJ.

Earlier that St. Patrick’s Day, officials at the British Embassy discovered their gateposts and two plaster lions on a parapet in front of the building had been painted green. The Washington Post reported: “Painted in black letters upon the chests of the seated two-foot-high lions were the fighting words: ‘Up the rebels.’ ”

But the story does not mention the 50th anniversary of the Rising.

The Post’s St. Patrick’s Day roundup also reported that a small park at 24th Street and Massachusetts Avenue near the Irish Embassy would soon become the new home for a 7-foot-tall bronze statue of Robert Emmet. The statue of the early 19th century leader in the fight for independence was commissioned in 1917, the year after the Rising. It had been display the Smithsonian Institution’s Museum of Natural History, but recently put into storage. An April story notes the statue and park were dedicated for “the 50th anniversary of Irish independence.”

The presidential diary for St. Patrick’s Day shows that Johnson left the Oval Office shortly before 8 p.m., telling aides he was returning to the private residence to change shirts “because I’m going to help the Irish celebrate.”

He was driven to the Statler Hilton Hotel a few blocks from the White House to visit the Washington Society of the Friendly Sons of St. Patrick’s annual dinner. Chapter President Rev. C. Leslie Glenn of the Washington Cathedral draped an honorary membership medal with green ribbons around the president’s neck. Only Presidents George Washington and Theodore Roosevelt had received similar honorary membership, according to the diary notes.

“The president then walked the length of the head table and shook hands with those sitting there,” the diary says. He gave remarks, but the diary does not indicate what he said.

Johnson returned to the Oval Office about 30 minutes later.